While R.D. Burman is primarily recognized for transforming Hindi film music as a composer, his singing talent also deserves significant recognition. His voice, whether subtly introduced in a boatman’s call or featured prominently in popular tracks, reflects his creative essence—unconventional, emotive, and unmistakably Pancham.

• In the song 'Oh manjhi teri naiyya' from 'Aar Paar', Burman's musical legacy was inherited from his father, Sachin Dev Burman. While his father is remembered for his manjhi songs, R.D. Burman’s rendition in this bilingual film directed by Shakti Samanta showcased his ability to create timeless music. Unfortunately, as the 1980s approached, his unique style began to fade, and had he received more recognition, he might have produced more reflective songs.


• R.D. Burman's voice was adept at conveying the emotional depth of lyrics, often rivaling other male playback singers. He seamlessly integrated his voice into songs, such as the boatman’s call in 'O manjhi re jaiyo piya ke des…'. Although many songs credited solely to Asha Bhosle, like 'Piya tu ab to aaja', featured his vocal contributions, his presence often went unacknowledged. In the poignant duet 'Hum dono do premee duniya chhod chale', he appeared as a bystander, enhancing the narrative. His vocal cameo in Lata Mangeshkar's 'Phoolon ka taron ka sab ka kehna hai' further exemplifies his subtle yet impactful artistry. Gulzar recalls, 'Pancham was an exceptional singer, mastering classical nuances. He lent his voice frequently, including in the boatman’s voice-over in 'Musafir'.'


• The 1970s marked a period where R.D. Burman's solo and duet performances solidified his reputation as a rock-n-roll innovator. However, his serious songs, like the manjhi number, often went unappreciated, while his more playful tracks gained popularity. His collaboration with Mohammed Rafi in 'Yamma yamma' from 'Shaan' showcased his musical prowess.


• Among his notable duets, the lively title track of 'Gol Maal', sung with Sapan Chakravarty, stands out for its unmatched energy, alongside the groovy 'Jaan-e-Jigar' from 'Pukaar', where he teamed up with Kishore Kumar.


• When R.D. Burman performed solo, he ensured the song was tailored for his unique voice. The iconic 'Mehbooba oh mehbooba' from 'Sholay' was initially intended for Asha Bhosle, but after considering various options, the team decided on Burman, who brought a distinctive flair to the track.


• His interpretation of 'Dhanno ki aankhon mein raat ka surma' in 'Kitaab' transported listeners to a realm of imagination, showcasing his ability to evoke deep emotions through music.


• In the musicals 'Hum Kisise Kam Nahin' and 'Zamane Ko Dikhana Hai', R.D. Burman expressed profound emotions through songs like 'Tum kya jaano mohabbat kya hai' and 'Dil lena khel hai dildar ka', demonstrating his ability to convey pain through melody.


• One of his most introspective songs, 'Yeh zindagi kuchh bhi sahi' from the film 'Romance', showcases his lyrical depth, rivaling Kishore Kumar's 'Kabhi palkon pe aansoon' from 'Harjaee'.


• His collaboration with Asha Bhosle created a rich romantic ambiance, despite their limited number of duets. Their first collaboration, 'O meri jaan main ne kahaa' from 'The Train', marked the beginning of a fruitful partnership.


• The playful duet 'Duniya mein logon ko dhokha kabhi ho jaata hai' highlighted the whimsical nature of their collaboration, while 'Sapna mera toot gaya' from 'Khel Khel Mein' showcased their emotional range.


• In 'Joshilay', the duet 'Na jaa jaan-e-jaan' exemplified their chemistry, with Burman allowing Bhosle to take the spotlight while still contributing significantly to the performance.


• R.D. Burman's career as a singer culminated in the unreleased song 'Kya bhala hai kya bura' from 'Libaas', which humorously addressed the burdens of existence. This song holds special significance as it was his last recorded performance, marking a poignant end to his illustrious career.